Fashion writing - Oscar Fingal O'Flahertie Essay

Fashion musical composition - Oscar Fingal OFlahertie - Essay ExampleThe essay Fashion writing - Oscar Fingal OFlahertie examines fashion writing of the Oscar Fingal OFlahertie. The position thus presented him with an effective opportunity to influence the history of pattern and fashion through literatures, which had befit the fastest growing long suit. As an editor program, Wilde still his practice as a writer and therefore understood every word used analytically. Through this view, his first major activity at the news spillage was to vouch for the change of the name of the snip. The magazine was prior to his employment called The Ladys world, however with Wildes entry into the company, he argued that the word lady restricted the hearing to a particular segment of the pistillate audience. By changing the name from The Ladys world to The womans world, Wilde arguably widened the audience f the magazine by targeting limitless female members of the society. For the two years th at Wilde served as the editor of the magazine, his ploughshare to the history of fashion and design was immense as he reached and influenced thousands of the magazines female readers. Wildes influence to fashion and design was through literature. He used his magazine to bring together superlative designers and their target audience thus proving the society with a seamless flow and changes in fashion. Prior to his presumption of office as the editor of the highly celebrated magazine, the term fashion befitted a specific eager of women in the society. the society had few designers. who equally targeted the high society. fashion, design and trendy attires thus belonged to the societys wealthy. Additionally, the absence of an effective means of communication complicated the development of fashion since both the designers and their markets lacked a medium of interaction through which they could share ideas thus shape the future of the profession. This made it difficult for fashion an d design to spread to other societies. The rich had personal designers. Additionally, they maintained their interactions to the echelons of the society. This way, the rich domesticated fashion and design the set down of the middle class who as Wilde proved consisted of the majority and was therefore capable of changing the industry (Hollander, 1993). Wilde interacted with clear designers and shared ideas with them. Even though he lacked fashion and design technical knowhow, he revolutionized the industry by providing the link between the designers and their markets through the media. Additionally, the lack of an effective media limited the interaction among designers. It was therefore difficult for the designers to confab and compare their designs among themselves. Through the magazine, Wilde interviewed and published hundreds of works by various designers. Through the magazine and the heightened interaction among the variant tenets in the society, fashion and design became an i nteractive profession with more upcoming designers having a platform to socialise and share ideas with the established designers. The magazine demystified some of the misconceptions about the practice and the selective approach that most designers had adopted. The magazine widened the readership to the middle class female members of the society and in so doing drew the attention of the previously marginalized union as designers began targeting the class. Besides his role as the editor of the magazine, Wilde was also a playwright and managed a theatre. These provided the editor with an effective opportunity to infuse the two and use theatre to expand the